![]() ![]() The beat is fine, Hov’s lyrics and performance are good – in fact, I quite like the part where he makes fun of the ‘SKRT’ trap cliché. In fairness, the worst thing about ‘Moonlight’ is that it just isn’t really that memorable. I really didn’t know he had this in him.Īnyway, rather than doing a conventional review, I’m going to go song-by-song from weakest to best, let’s do this! ![]() The latter’s controversy is addressed here on songs such as ‘Family Feud’ and the title track, and he’s managed to come across as apologetic, but not emasculated, he’s the old Jay-Z, and after the lacklustre ‘Magna Carta Holy Grail’, that’s pretty damn weird. ‘4:44’ is Hov’s most dignified album in recent years, his most honest, and one that redeems a lot of the near fall from grace he has suffered recently due to the failure of Tidal and the subject matter of Beyonce’s ‘Lemonade’. Introducing, the most complete Jay-Z album since ‘The Blueprint’.
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